宋到元時期瓷器魚紋裝飾研究

Abstract

宋代（960–1279）作爲中國陶瓷發展史上的重要時期，其魚紋裝飾藝術在工藝與審美層面均達到高度成熟，具體反映了該時期的文化心理與視覺表達方式。本研究以宋代瓷器上的魚紋爲主要研究對象，輔助結合遼金時期和元代時期瓷器魚紋裝飾，綜合運用藝術風格分析與圖像學方法，從魚形圖像的造型特徵、紋樣組合、器型搭配與配景紋飾等方面進行系統探討；進一步考察其所採用之裝飾技法，包括刻花、印花、剔花、白地黑花及貼塑等，並結合磁州窯、耀州窯、定窯、龍泉窯與青白瓷窯系之考古資料與沉船出土實例，歸納宋代魚紋瓷器在不同地域窯場中的藝術風格與技術特點。最後，通過中外魚紋圖像的比較研究，剖析魚文化在陶瓷裝飾設計中的象徵意義與技藝傳承，並探討其對後世工藝美術與文化交流的潛在影響。The Song dynasty (960–1279), a pivotal era in the history of Chinese ceramics, witnessed the refinement of fish-patterned decoration, reflecting the period’s cultural consciousness and visual aesthetics.This study takes the fish pattern on Song Dynasty porcelain as the main research object, and combines the fish pattern decoration on Liao, Jin and Yuan Dynasty porcelain. It uses artistic style analysis and iconography methods to systematically explore the modeling characteristics, pattern combination, vessel type matching and background decoration of fish-shaped images; further examines the decorative techniques used, including engraving, printing, carving, white background black flowers and pasting, and combines the archaeological data and shipwreck unearthed examples of Cizhou Kiln, Yaozhou Kiln, Ding Kiln, Longquan Kiln and Qingbai Porcelain Kiln System to summarize the artistic style and technical characteristics of Song Dynasty fish-patterned porcelain in different regional kilns. Finally, through the comparative study of fish pattern images in Chinaand foreign countries, the symbolic meaning and skill inheritance of fish culture in ceramic decoration design are analyzed, and its potential influence on later arts and crafts and cultural exchanges is explored.