大河詠歌—鍾樹人寫實主義繪畫創作研究

dc.contributor王瓊麗zh_TW
dc.contributorWang, Chung-Lien_US
dc.contributor.author鍾樹人zh_TW
dc.contributor.authorChung, Shu-Jenen_US
dc.date.accessioned2025-12-09T08:26:58Z
dc.date.available2024-12-24
dc.date.issued2025
dc.description.abstract寫實主義的繪畫創作,呈現當代事物的真實面貌;無論是社會的、人文的、景物的,它所表現的,無非是創作者對於現實社會的關懷,對人文與景物的欣賞與品味。創作的形式秉持傳統的美學觀念,然而,創作的內涵才是它的目的,所以,相較於其它傳統藝術流派,它比較重視務實的一面。本論文《大河詠歌》藉著整理、分析、歸納與實踐的方式討論西方美學的脈絡、寫實美的內涵、西方寫實主義、臺灣鄉土寫實繪畫的發展及畫家的表現方式。 筆者以個人的創作表現對生活環境和社會議題的情感與關懷;以寫實為創作形式,內容包括社會現實、人文景觀與自然景觀;並運用寫實的技法,展現心中的美感與關照。本文共分五章,其內容概述如下 :第一章:緒論;說明創作動機與目的、研究範圍、方法與個人的心路歷程、生活體驗為創作的源泉。第二章:文獻探討;探討西方寫實美學思想的脈絡與性質、西方寫實主義與臺灣鄉土寫實主義之發展及近、當代寫實名家作品對筆者的創作內涵具啟發性者。第三章:敘述創作內容、理念、形式、技法與媒材。第四章:筆者寫實創作之解析;包括發想、實踐、意涵、構圖形式、媒材與技法等。第五章:結論;回顧創作之實踐與呈現,並以此為基礎,敘述對於未來創作的展望。zh_TW
dc.description.abstractRealistic painting creation presents the true appearance of contemporary things. Whether it is social, humanistic, scenery, what it expresses is nothing more than the creator's concern for the real society and his appreciation of humanity scenery and taste. The form of creation adheres to traditional aesthetic concepts. However, that connotation of creation is its purpose, Therefore, compared with other traditional art schools, it pays more attention to the pragmatic side. This thesis Ode to the River discusses the context of Western aesthetics, the connotation of realistic beauty, the development of Western realism, Taiwan vernacular realist painting and the painter’s expression methods through collation, analysis, induction and practice. The authors personal expressions of emotion and concern for the living environment and social issues calls for the use of the realism as a creative form, Which includes social reality, cultural landscape and nature landscape. Realistic techniques are incorporated into the expression and interpretation of beauty and care.The article is divided into five chapters, the contents of which are summarized as follows:Chapter 1: Introduction; explains the motivation and purpose of creation, research scope, methods and personal journey, and how life experience is the source of creation. Chapter 2: Literature discussion; Discuss the contest and nature of Western realistic aesthetic thought, the development of Western realism and Taiwanese local realism, and the impact of the works of famous modern and contemporary realists on the author whose creative content is inspiring. Chapter 3: Describe the creative content, concepts, forms, techniques and media. Chapter 4: Analysis of the author's realistic creation; including ideas, practice, meaning, composition form, media and technique, etc. Chapter 5: Conclusion: a review of the practice and presentation of creation and a discussion of the development of future creation.en_US
dc.description.sponsorship美術學系美術創作碩士在職專班zh_TW
dc.identifier009603112-46505
dc.identifier.urihttps://etds.lib.ntnu.edu.tw/thesis/detail/3e20063c8a8d6e46793b09f49cc099de/
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/126092
dc.language中文
dc.subject大河詠歌zh_TW
dc.subject寫實主義zh_TW
dc.subject美學zh_TW
dc.subject台灣鄉土寫實主義zh_TW
dc.subjectOde to the Riveren_US
dc.subjectRealismen_US
dc.subjectAestheticsen_US
dc.subjectTaiwan vernacular Realismen_US
dc.title大河詠歌—鍾樹人寫實主義繪畫創作研究zh_TW
dc.titleOde to the River: Research on Chung Shu-Jen's Realism Painting Creationen_US
dc.type學術論文

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